By Judith Marshall
Three years and 200-plus rejections after my unpublished novel Husbands May Come and Go but Friends are Forever won the Jack London Prize awarded by the California Writer Club, I decided to independently publish my book. I knew I had a great story and I wasn’t giving up, plus I wasn’t getting any younger.
I bought a block of ISBNs, set up a publishing imprint, registered my DBA, and purchased a package from CreateSpace.
But how to let people (especially Hollywood, which was my ultimate target) know about my book? I talked with several book publicists, asked a ton of questions, and decided to hire a marketing company to write and distribute a press release to more than 1,850 media outlets. I received lots of requests for interviews on radio, blog talk radio and I even appeared on NBC-TV Midday Arizona. The book came out, I had some sales, and things were going well.
About three months after the book was released, I decided to send the press release out again through the free distribution site, PR.com. Why not? The release was mine. Might as well get my money’s worth.
Within a week, I received an email from a female producer in Hollywood that read, “I received a press release about your book and would love to read it. I will be ordering it from Amazon.” I immediately Googled her and found she was a former Hollywood actress who had set up her own production company and had just finished producing an independent film. I could hardly believe it! My free press release reached the exact target I was looking for. Of course, I offered her a free autographed copy.
It took a couple of months, but the producer read the book, loved it, and sent me a 16-page agreement offering to option all motion picture, television, and all other audio-visual rights. I was ecstatic, but overwhelmed by the contract. I turned to my network of authors, and asked for recommendations for an entertainment attorney. I found the perfect man who combed through the agreement thoroughly and helped me negotiate important aspects, such as not giving up my rights to the book.
He was also helpful in answering questions like is there a going rate for options? No. What do they base the calculations on? Whatever the author is willing to accept. In that regard, he said he had seen screen rights sold for as little $1. He was also quick to add that once I signed the agreement, the producer had no obligation to involve me further or even keep me advised of her progress. It was like giving a child up for adoption.
The negotiations took a few weeks of going back and forth between my attorney and the producer’s attorney. In the end, I signed the agreement and received a mid-four-figure amount for the initial 18 months, with the purchaser’s right to extend the agreement for another 12 months by a second payment of the same sum.
The most surprising news is that the producer does want me involved in the process and has sent me the initial screenplay for comments. I can’t tell you how exciting it is to see your book adapted into an actual script.
So all you indie authors out there, don’t give up on your dreams. With passion and persistence, anything can happen.
Has your book’s press release made exciting things happen for your book?
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